“I am seriously Amazigh and I am proud of my identity. Indeed, I do not speak Amazigh, but I understand it well,” Lamnawar stated during the podcast. Despite not being fluent in the language, she emphasized her profound understanding and appreciation for Amazigh culture.

Lamnawar highlighted the significance of the Amazigh people as the indigenous population of North Africa. She passionately asserted, “The Amazighs are the indigenous people of the Maghreb countries, Morocco, Algeria, Tunisia, Libya, Mauritania, as well as the Tuareg of the Sahara Desert to the borders of Siwa in Egypt.”

The singer also shared insights into the recent celebrations of the Amazigh New Year, officially recognized as the year 2974. Lamnawar noted the widespread festivities that took place throughout Morocco, underscoring the importance of honoring Amazigh heritage and traditions.

Expressing her aspirations, Lamnawar revealed her dream of singing in the Amazigh language. “My dream remains to sing a song in Soussia, the important thing is that it be Amazigh, and I will start practicing the pronunciation of the words until I pronounce them correctly,” she stated enthusiastically.

Lamnawar’s remarks shed light on the enduring significance of Amazigh culture in Morocco and across North Africa. Her embrace of her Amazigh identity serves as a testament to the richness and diversity of the region’s heritage, inspiring others to celebrate their roots and preserve their cultural legacy.

In a groundbreaking move, Agadir recently introduced its first Tamazight “Stop” sign, signaling a significant development in the ongoing recognition process of Tamazight as a national language in Morocco.

It’s important to note that while Agadir’s initiative is a first for the city, it revisits a similar milestone from 2003 in the city of Nador. Despite Nador’s introduction of an Amazigh sign back then, it faced swift opposition from the Moroccan government, leading to its overturn.

Agadir’s recent unveiling carries the torch forward, challenging historical hurdles and rekindling the conversation around linguistic diversity in Morocco. The city’s determination to display the Tamazight “Stop” sign underscores the ongoing struggle for cultural recognition and acceptance.

This dual narrative of Agadir’s achievement and the historical context with Nador adds depth to the significance of this moment. As discussions surrounding Tamazight’s role continue, Agadir stands as a symbol of resilience, sparking renewed conversations about implementing the Amazigh law in Morocco.

Agadir’s first Tamazight “Stop” sign is not just a local milestone but a reflection of a broader national dialogue. It highlights both progress and the challenges faced in the journey towards recognizing Tamazight as an integral part of Morocco’s linguistic landscape.

The site emphasized Ifrane’s “particularly exciting” winter attractiveness in addition to its “stunning colonial architecture.”

The area near Michlifen where the city is located is famous for its resorts that offer ski runs on mountains covered in snow.

Ifrane, named after the Tamazight word for ‘caves’, which is the main spoken language in the area. It’s built into the limestone rock, with some of the most famous caves existing in Zaouiat Ifrane, just an hour away by car from Ifrane’s city center.

The parliament voiced dissatisfaction with Bank Al-Maghrib’s “negligence and total exclusion of the Amazigh language, which is considered an official language of the country, alongside Arabic, according to the Moroccan constitution of July 1, 2011.”

According to the statement, Morocco passed a regulatory rule in 2019 mandating the use of the Amazigh language on currency and stamps, but it has yet to be implemented.

Ms. Lorine Zineb Nora Talhaoui, often known as Loreen, has had a lot of success. She had triumphed at the Eurovision Song Contest in 2012 with the song “Euphoria,” and she has done so once more with the captivating tune “Tattoo.”

At the M&S Bank Arena in Liverpool, England, the grand finale of the Eurovision Song Contest took place. The performance honored the ravaged Ukraine. Normally, the year’s winner hosts the event, but due to the ongoing situation in Ukraine, Britain, the 2022 runner-up, was given the honor.

The competition’s 2023 theme was “united by music,” and the event included a wide range of talent from 25 different countries.

Taking center stage and singing, “You’re stuck on me like a tattoo-hoo-hoo,” Loreen was positioned between two dazzling illuminated platforms. Her performance strayed away from the theatrical and fanciful acts that have frequently dominated the competition in recent years and toward a more classic pop style.

In a Vogue interview, Loreen, who is renowned for her defiant demeanor both on and off the stage, said: “It’s about being true to yourself and where you come from. That’s where my Moroccan and Berber (Amazigh) ancestry lies. In my home country, music is used for more than simply entertainment; it also aids in various healing processes. Ride has always been about embracing unbridled female power and not giving in to what society tells you to, according to the artist.

After her beloved husband perished in the war, my great-grandmother refused to be in an arranged marriage,’ Loreen drew inspiration from her relatives. She disguised herself as a guy in order to live as she escaped over the desert from Morocco to Algeria with her infant. Her bravery and strength are admirable. My veins are strengthened by those Amazigh origins.

Loreen mentioned aspirations to expand live performances outside of Sweden and strengthen her ties to her Amazigh origin in 2017.

Despite the lack of equipment, the film directed by Mouloud Ait Liotna, was entirely shot in the region of Ait Melikech in the city of Bejaïa by a young talented film crew mainly native from the town and surrounding Amazigh regions as well as the acting roles, featuring Mehdi Ramdani, Mohamed Lefkir, Mustapha Rais, Idir Benaibouche, Koceila Mahfoud Alias Koukou and many other young talents. Film is produced by Alpha-Tango, and co-produced by  “L’œil vive” and “Avant la nuit”.

Some 4,000 films were viewed (including short films) which show a “return in force of Asia, the United States and some African proposals,” Thierry Fremaux, the delegate general of the Cannes Film Festival said.

As for the synopsis, “Axxam yargha, maqar anesahmu” tells the story of Yanis, a young Kabyle, leaves tomorrow for Paris. Only, the sudden death of a loved one disturbs his last hours in the village and drags him into a strange day where the bitterness of leaving is tempered by sorrow.

Last year, a scaled-back crowd of about 5,000 in-person mask-wearing spectators attended the two days event featuring live music, traditional food and several presentation. This year the number expected to double up due to lifting of Covid restrictions.

Melilla is a Spanish exclave in the Moroccan territory side of the Mediterranean. Because its a city in Spain people are Spanish speaking; however, because it’s also located in the Rif area, Tamazight of the Rif ‘Tarifit” is also widely spoken languages.

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